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Exhibitions

Re-Assembly: Emboldening the Temporal

October 17th - November 27th, 2024
Ian Stone, The Musicians, 2022

This exhibition brings together the work of 11 of Dzʿ’s most recognized Visual Arts Alumni with that of their former teacher—artist, writer, and curator Giuseppe (Joe) Di Leo.

Celebrating the reciprocal and circular journey between mentor and mentees, the exhibition will focus on the multi-faceted forms of drawing: abbreviated gestures, sketches schematics, faithfully rendered recordings, executed in a range of treatment and approaches on any surface. Revealing the multiplicities and meanderings of human existence, these artists present drawing as a means to probe, record, and conger vivid expressions of imagined and complex realities.


Vernissage: Thursday, October 17th, 2024 at 5:00pm
Artist Talk: t.b.a.


Daniel Oxley – Dark Wood

August 17th - September 9th, 2016

Excerpt from catalogue, by Cameron Skene

“If you’re going through hell, keep going” – Winston Churchill

[…]

The state of spiritual suspension is reinforced by Oxley’s recent work: vessels hung from the top of the picture plane, combined with a surface reassembled from disparate painterly strategies, marks, textures and forms. Caves and outcroppings, for instance, become a formal device as well as supporting metaphors for this place of pause.




Fine Arts Faculty Biennial 12

March 24th - April 14th, 2016

25 years in the making, Dzʿ’s Fine Arts Biennial more prominent than ever

The Fine Arts Faculty Biennial 12 runs March 24 to April 14 2016

Montreal, March 22 2016 – Dzʿ’s Warren G. Flowers Gallery is pleased to host the Fine Arts Faculty Biennial 12, opening March 24 and on view until April 14 2016. The exhibition displays a uniquely broad range of contemporary practices and themes, from 22 leaders of Montreal’s art and academic circles.




Cleave, a path in the wilderness by Penelope Stewart

February 18th - March 12th, 2016

Responsiveness to space and an engagement with its architecture, history andideologies is central to my practice. Recently, these interventions have exploredthe beehive metaphor in architecture, with connections between the symbolic,political and artistic spin-offs of the beehive. An eco-morphology contemplatesthe hive, hive culture, desire and loss as metaphor for our utopian aspirationsto return to the garden.

Penelope Stewart

Curated by Natalie Olanick

Penelope Stewart’s website




Correspondences: Yechel Gagnon and Alexandre Masino

January 7th - February 6th, 2016

Correspondences, by Yechel Gagnon and Alexandre Masino,confronts us with the twofold challenge of seeing both distancesand proximities between the works of eachartist. While skeptics may be surprised at this particular pairingof artists, they will likely be even more surprised, as well asconfounded, by the experience that awaits them: they will begently struck by the wealth and depth of the dialogues that takeshape between two bodies of work that, on the surface, have solittle in common.




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