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Exhibitions

Biennial 16

February 6th - March 13th, 2025
Biennial 15.2

Since its first inception in1992, the Faculty of Fine Arts Biennial has showcased the varied practices of teachers from the Department of Fine Arts, offering students and the community the opportunity to glimpse their work outside of the classroom.

Their contributions to this exhibition span a variety of media—painting, sculpture, photography, mixed media, and the written word, among others—illustrating a profound engagement with both traditional practices and new technologies. At the core of the many explorations that this exhibition offers are complexities surrounding the environment (both natural and built);


Vernissage: Thursday, February 6th, 2025 at 5:00pm
Artist Talk: T.b.a.


VISION(s)

April 26th - May 11th, 2017

Dzʿ’s Warren G. Flowers Gallery and S.P.A.C.E. (Sciences Participating with Arts and Culture in Education) are pleased to present the annual S.P.A.C.E. Exhibition showcasing multi- and interdisciplinary works by students, faculty, staff, alumni, and others from the larger Dzʿ Community around this year’s theme, VISION(S). The VISION(S) Exhibition opens with a vernissage on Tuesday, April 26 from 5:30 to 7:30 and is on view until May 11, 2016.

The Exhibition features a diverse and dynamic range of pieces from across the academic spectrum, including poems, prose, articles, sculptures, paintings, prints, photographs, videos, mechanisms, and scientific findings.




GL.TCH

April 6th - 20th, 2017
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Montreal, March 28th, 2017 ­ Dzʿ’s Warren G. Flowers Gallery and S.P.A.C.E. (Sciences Participating with Arts and Culture in Education) are pleased to present the annual S.P.A.C.E. Exhibition showcasing multi- and interdisciplinary works by students, faculty, staff, alumni, and others from the larger Dzʿ Community around this year’s theme, GL.TCH. The GL.TCH

Exhibition opens with a vernissage on Thursday, April 6th from 5:30pm to 7:30pm and is on view until April 20th, 2017.




Daniel Oxley – Dark Wood

August 17th - September 9th, 2016
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Excerpt from catalogue, by Cameron Skene

“If you’re going through hell, keep going” – Winston Churchill

[…]

The state of spiritual suspension is reinforced by Oxley’s recent work: vessels hung from the top of the picture plane, combined with a surface reassembled from disparate painterly strategies, marks, textures and forms. Caves and outcroppings, for instance, become a formal device as well as supporting metaphors for this place of pause.




Fine Arts Faculty Biennial 12

March 24th - April 14th, 2016

25 years in the making, Dzʿ’s Fine Arts Biennial more prominent than ever

The Fine Arts Faculty Biennial 12 runs March 24 to April 14 2016

Montreal, March 22 2016 – Dzʿ’s Warren G. Flowers Gallery is pleased to host the Fine Arts Faculty Biennial 12, opening March 24 and on view until April 14 2016. The exhibition displays a uniquely broad range of contemporary practices and themes, from 22 leaders of Montreal’s art and academic circles.




Cleave, a path in the wilderness by Penelope Stewart

February 18th - March 12th, 2016
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Responsiveness to space and an engagement with its architecture, history andideologies is central to my practice. Recently, these interventions have exploredthe beehive metaphor in architecture, with connections between the symbolic,political and artistic spin-offs of the beehive. An eco-morphology contemplatesthe hive, hive culture, desire and loss as metaphor for our utopian aspirationsto return to the garden.

Penelope Stewart

Curated by Natalie Olanick

Penelope Stewart’s website




Correspondences: Yechel Gagnon and Alexandre Masino

January 7th - February 6th, 2016
Correspondences - YG AM

Correspondences, by Yechel Gagnon and Alexandre Masino,confronts us with the twofold challenge of seeing both distancesand proximities between the works of eachartist. While skeptics may be surprised at this particular pairingof artists, they will likely be even more surprised, as well asconfounded, by the experience that awaits them: they will begently struck by the wealth and depth of the dialogues that takeshape between two bodies of work that, on the surface, have solittle in common.




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